Guest Review: Fairy Tail (Episodes 1-48)

Hey everyone,

This review features the return of Onamerre to AniB Productions, and this time, he’s compiling his thoughts in an ongoing review of the anime Fairy Tail. Note again that his thoughts are completely and entirely his…and he’s glad to receive useful feedback and insightful comments.


Author’s Note:
I have only watched the first 48 episodes, or what Funimation had deemed to be the first season of the show. There are over 270+ episodes and normally I would skip the filler, however, the show rarely has it up to now, and has quickly started up a new arc immediately after the conclusion of the previous one. I have decided to mark this show as a continual review, meaning once I have time, I will go through season by season and issue my reviews as if it were still being released. I have no problem watching anime with 100 or so more episodes, but over 200? To be watched consecutively? I have to give it a break to avoid being burned out, or else watching the show would feel like a chore. Please make sure to read my conclusion notes at the end for my overall opinion on the show. Now, I just have one question to ask. ARE YOU GUYS READY FOR MORE FAIRY TAIL?!?!?!?! (But seriously, read till the end please. Also, SPOILER WARNING!!!)


Animation: Fairy Tail was like a lot of other shows at the turn of the decade in which they started to experiment with CGI backgrounds and 2D computer aid. This show decided to use the CGI on the effects of the spells being cast. Everything else was hand drawn in a computer, including the backgrounds, and it shows. By that, I mean a lot of the time, the backgrounds don’t look good. Sure, there are times of awe, but only until critical plot events are in play do we see that happen. (That’s the main appeal of the show’s animation.) It’s a series of deep valleys, and breath-taking peaks…When those peaks arrive, the show shines. Conversely, the valleys aren’t super awful, but wow, is it noticeable. 4.0/5.0 points.

Characters: By far and away, the strongest part of the show. Every character, minor or major, has been given their deserved moment in the spotlight relative to their importance to the plot. (I will be avoiding some characters this time as I’ve only seen the first 48 episodes.) So for now, I’m focusing on the core characters of Fairy Tail.
Natsu Dragneel, AKA: Salamander, Fairy Tail’s Dragon Slayer: The star of the show, Natsu is often hot tempered and incredibly impatient. Makes sense as he was raised by a literal dragon named Igneel. He possesses incredible power within him, however, his flaw is that he gets motion sickness too easily. He is EXTREMELY protective of his friends and other members of the Fairy Tail guild. He often decides to deal with a problem by blowing stuff up first, and asking questions later. A fun character to watch, but easily annoying if not written right.

 

Gray Fullbuster, AKA Flasher: Unsurprisingly, the character that is supposed to be the fan service to the female viewers. Possessing dark spikey hair and an extremely toned muscular body, Gray is the guild’s ice mage. To quote the narrator of the show, “he has habit of losing his clothes.” While this would automatically take away points from the DITV (don’t insult the viewer) category, the origin as to why he takes off his clothes is interesting, and still weird. As we learn in the Galuna Island Arc, his town was wiped out by a demon, and he was the sole survivor. He then gets taken under the wing of a very powerful ice wizard. The preparation included stripping down as a way for the body to become numb to the cold to better focus on casting the magic. We see Gray get stronger as the show continues, and a feature I really like about Gray is that he sustains wounds during the Galuna Island Arc, and for the rest of the series, he has a scar over his left eye brow as a result.

 
Lucy Heartfilia: The show’s secondary narrator. She is a celestial wizard, meaning she can summon celestial beings that she has worked out a contract with to help her in battle. She is extremely caring of nearly everyone she meets who’s friendly to her, but furiously full of rage upon being annoyed. It turns out, Lucy is a runaway from her home as she is the heiress to the Heartfilia railway empire, and as such, makes sure that her surname isn’t publicly known. This situation is the catalyst for the Phantom Lord Guild Arc. There is a rather humorous gag involving her home. Every time she enters, there is someone from the guild in her house. It’s actually kinda funny. Her weakness though is that she is SUPER emotionally attached to almost every situation she encounters. But, she does find the strength to overcome most obstacles.

 
Erza Scarlett, AKA: Titania: The mother bear of the show. An extremely strong wizard who guides the other characters with an iron will. What makes her interesting is the vast array of armor she can equip. Unlike how Gray is comfortable wearing nothing, Erza is comfortable in her heavy armor. She doesn’t mind at all who sees her with or without clothes, but, her armor literally and figuratively protects her heart as she endured an awful childhood that made her the wizard she is today. An incredibly powerful wizard who is the odds on favorite to become the next master of the guild.

 
Makarov: The master of the guild. The most powerful wizard of the guild and father figure to everyone in it. Short in stature, but the size of his heart for everyone in the guild makes up for it. He knows that his time at the helm is winding down, but he lives everyday like it was to be his last. He also has the sole power to welcome in and expel members of the guild.
Happy: The adorable kitty cat that was hatched from an egg that Natsu brought back when he was younger. The joy he brought the guild when the egg hatched is how earned his name sake. Often joined at the hip with Natsu, over the course of the series, we see him slowly become closer with Lucy. FIERCLY loyal to the guild and its members, while not currently possessing and strong fighting capabilities, his iron heart makes up for it.
There are others that I will get to, but for now, a well-rounded cast of interesting characters that I cannot wait to encounter and talk about.  5.0/5.0 points.

Story quality: An extremely entrapping world inspired by the works of J.R.R. Tolkien with the adventures one might expect. The show has a strong continuity with little to no filter. Each episode has Happy do the voice over with the name of the episode. Pay very close attention to when the voice over is NOT done by Happy, as that signifies either the end of an Arc, who is at the center of the Arc, or the start of a new Arc. The main arcs in the first season are The Death Flute Arc, Galuna Island (Gray’s origin), Phantom Lord (Lucy’s background), The Tower of Heaven (Erza’s origin), and finally, The Battle of Fairy Tale (Civil War). So far, so good. I’ll just say this, the character twist at the end of the season involving the grandson of Makarov knocked me on my ass. I did not see what happened coming. 4.75/5.0 points.

Themes: The Guild Comes First. Pretty self explanatory here. Every decision made, no matter how small, will affect the guild in the long run. Family. The best theme of the show and my god is it brilliant. All of the humans of the core group, with the exception of Makarov, had a brutal childhood. Natsu’s dragon abandoned him, Gray’s family and early friends were killed, Erza’s parents are believed to have died young too, and Lucy’s father is severely over controlling of her. The beauty here is that, while they have no blooded family left in contact with them, they make their own with their friendship. Makarov is the father, Erza is the mother, Gray is the eldest, Natsu is the middle child, Lucy is the little sister, and Happy is the family cat. They fight, cry, and eat like a family. 4.5/5.0 points.

Don’t Insult The Viewer: There is the common trope of the overly strong female trying to show that she can handle herself, but that gets a slight pass as it is well explained in the show. One aspect I picked up is that the characters are powerful when the plot calls for them to be with common tactic of “The true power within them” coming into play a lot during the show. I also mentioned nudity before. Gray’s use is more of a comedic effect. Most of the time, you do end up rolling your eyes. Rarely do you ever get a decent chuckle. For the others, its tasteful and actually makes sense. 4.0/5.0 points.

 

Final Grade (So far): 22.25/25.0 (89%). This was not what I was expecting here. A very well written show with a great cast of characters that will no doubt get larger and better with more conflicts that will come. One other aspect that I love about this show is the fuckin’ soundtrack! My god in heaven the soundtrack! Quite possibly the best soundtrack for an anime I’ve heard this decade. Celtic orchestral sounds with heavy metal guitar and drums is practically sex for the ears (if you like metal that is). I HIGHLY recommend a watch through and please, for the love of all things holy, check out the soundtrack. Here’s a sample to whet your appetite: https://www.youtube.com/watch?v=-Oh1jIa8_xU&list=LLPVA5o2996reCbE8l5V3nZA&index=14 Trust me, it only gets better.


Like Mr. Onamerre’s spicy thoughts on Fairy Tail? Leave a comment!

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Review: Kill la Kill

Flashy, frenetic anime can be fun, but ultimately misses the mark by a bit.

The Lowdown:

Show: Kill la Kill

Studio (NA distributor)/ years aired: Gainax (Adult Swim-Toonami), 2013-2014

AniB’s thoughts: I’ve been sitting on doing a review of Kill la Kill for a little while, partially because there’s been other priorities to attend to, but also because I wasn’t sure how to put this eloquently to the people that like the show, or those who haven’t seen it yet, or maybe were patiently waiting for me to get around to it: Kill la Kill is overrated.

Yes, the show features a terrific soundtrack and came from the same people who did Gurren Lagann and once upon a time, Evangelion, and yes, it has the same kind of frenetic action you’d expect from a mecha anime in one that actually isn’t, but for me at least, the dynamics of the show were just… off.

It starts with the premise. I’m perfectly willing to accept “over the top” in anime, but this show in particular makes it part of its very fabric. It’s a potpourri of “high school meets Michael Bay action sequences meets convoluted premise” and while many people have reveled in that regarding Kill la Kill, it just never meshed with me. It didn’t find the same emotional thrust mixed with satisfaction as Gurren Lagann did (and which actually occupied a far grander scope, all things considered)…and then, there was the fanservice.

Oh, the fanservice. I’ve yet to write a treatise on fanservice in animation, but the vast majority of the time (about 95-98% in my rough mental estimation), it’s pointless, adds nothing to the story, cheapens the characters, and gives me a vaguely uncomfortable feeling about what I’m actually viewing. Kill la Kill, for all intensive purposes, is an ecchi anime, of which I suspect precious few will pop up in my review choices, and with good reason- it’s teasing nudity the whole way. I’m not into that. And this is the fundamental difference between something like Kill la Kill and the aforementioned Gurren Lagann, in which there’s one cringy comedic bathhouse episode early in the series along with occasionally playful teasing in the latter, while this entire series makes a point to expose its characters…and the main conflict involves clothing…or a lack thereof.

So does this mean Kill la Kill is a “bad show?” I wouldn’t go so far as to say that, but it’s not the masterwork some play it up to be, and it certainly has found a legion of anime fans that sing its praises. It also features some pretty amazing fight sequences (especially if you can get past the fan-servicing bit); the characters receive some pretty great development through the show (the central character conflict is actually compelling), and Ryuko Matoi is a strong, solid protagonist. (Cool fact- the character’s English VA plays Gon Freecss in the dub of HxH 2011.) Overall, I’d say one’s reception of Kill la Kill is dependent on one’s tastes. To that end, I’ve attempted to evaluate the show with a balanced hand noting the show’s perceived weaknesses against its strengths.


Animation Quality: Traditional 2-D anime. Good looking anime that accentuated some things best left unseen, though the battles are spectacular. Character models are standard enough, tend to accentuate women’s breasts a bit though, and there are some truly spectacular settings illustrated as well. The use to make the obvious fan service look good however…not so much. 3.5/5 points.

 
Characterization: The series focuses on the story of Ryuko Matoi, a girl searching for the answers of her father’s murder who comes upon the main location of the show, Honnouji Academy.

Armed with a giant scissor blade, Ryuko’s a bit of a rough and tumble character, which come at odds when she discovers her sentient battle outfit, Senketsu (pronounced sen-ketz), transforms her into a very revealing outfit that also grants her great power. Because Senketsu is made 100% out of a special material called “life fiber,” it (rather he) has a life and personality of his own, although only Ryuko can hear him.

While at the academy, Ryuoko stays with and befriends Mako Mankanshoku (and her eccentric family). Bright and airheaded to a t, she often serves as the calming presence to Ryuko’s fierceness and determination, and has a good heart and a stubborn will…She’s also the main source of comic relief through the show, a role she excels at.

Opposing Ryuoko through most of the show is Honnouji’s fierce student body president, the formidable Satsuki Kiryuin. Armed with a will stronger than steel and a blade to match, she rules Honnouji in a way that it is much more a military base than really a school… She is flanked by her “Elite 4” (no, not Pokemon)- Ira Gamagoori, a massive man with a personality to match who serves as head of discipline; Uzu Sanageyama, a one-time street boss turned loyal swordsman; Nonon Jakuzure, the only girl and a friend of Satsuma since they were children, and also a music nut; and Houka Inumuta, her information specialists and tech systems guy.

Also to be noted among an extensive supporting cast is Raygo Kiyuin, the mother of Satsuki and head of the REVOC Corporation, a clothing line that has almost monopolized the whole world… Overall, these are actually pretty good characters for the most part with some strange elements and stereotypical tropes; the supporting cast on the whole is okay. 4/5 points.

 
Story quality: Overarching story. While the tale moves at a great pace (and one particular episode deals with the dreaded recap episode in the best way possible), there are other flaws inherently present. Mostly, this is because the storyline of Kill la Kill might be the most convoluted albeit complicated arc out there… (spoilers:)

Life fibers, the threads that form Senketsu, and give clothes known as Goku Uniforms their power, are in fact apparently a sentient alien parasite that devours its victims and destroys planets. Seriously, I can’t make that up if I tried. Raygo Kiryuin, the big bad, tries to co-opt this scheme of destruction while the subtext of Ryuko vs Satsuki plays out, the two eventually coming to a head… the paramilitary organization is literally a group called Nudist Beach (they eschew clothes…) and most adults in this series seem fairly useless. There is some strong emotion built into the plot as well as some decent plot twists, but overall, the end product is both somewhat entertaining and cringeworthy at the same time. 2.75/5 points.

 
Themes: Family struggles, friends, and some other self-discovery stuff. For Ryuko, it’s about forging her path against the path of someone like Satsuski, and so ideologies clash, literally exposed with bare ambition. Honestly, this show isn’t the strongest on themes, but it’s passable considering everything. 3.25/5 points.

 
Don’t insult the viewer: Fanservice. This is the single biggest issue with Kill la Kill, and it’s obvious how intentional that decision was with characters even commenting on it in universe. One one hand, it sorta works because there’s an in-universe explanation, but… if you’re not into nudity (or very skimpy outfits), I’d stay far away (and frankly, i don’t condone it in the slightest). There’s also a fair bit of blood in some scenes, and to that end, you have been warned. 2.5/5 points.

 

Total Score: 16/25 (64%). A bizarre mix of different anime tropes with more than a little fanservice, Kill la Kill is unique…sometimes in the (very) cringeworthy sense, and other times in interesting, unique, and even very funny ways. I wouldn’t personally recommend this to anyone under 18, but depending on your tastes, it is potentially worth a watch.


Like what you see? Have something to say about Kill la Kill? Leave a comment!

Review: Ed, Edd, n Eddy

One of the longest-running Cartoon Cartoons embodied the precociousness of youth.

The Lowdown:

Show: Ed, Ed n Eddy

Network/years aired: Cartoon Network, 1999-2009

The Lowdown: Memorial Day has passed, and June has arrived- meaning summer’s unofficially arrived for many people. To that end, perhaps no show embodied the idea of creative childhood summers better than Danny Antonucci’s Ed, Edd n Eddy, one of the first Cartoon Cartoons, and also the longest running one, sticking around in production for a full decade. In many ways, the show marked the beginning of one era and the end of another, serving as a pillar for Cartoon Network in its so-called “golden era” that occurred in almost exactly the same time frame the show existed.

To be sure, Ed, Edd n Eddy is quite different from other later cartoons that take place mostly or completely in the season. It’s not a Gravity Falls with a deep mystery element and overarching story, nor does it try to be, and while a show like Phineas and Ferb focuses on inventiveness and references, it’s almost certainly a successor in some ways to the Eds. The show, quite simply, is classic slice of life scenarios chock to the brim with slapstick, clearly defined personalities, and quite a bit of humor that really clicks once you’re over the age of 18. More specifically, the Eds are your neighborhood outcasts always looking to try a score a quick buck and social “cred” en route to jawbreakers- the hard candies are bloated to massive proportions in the show- and for the most part, fail miserably, often to some combination of disaster, abject humiliation, injury, or bad luck. Most remarkably despite all that, the Eds keep plugging away, one day (or episode) at a time.

For many kids growing up in the early-mid 2000’s, the Eds were probably a constant in your cartoon repertoire. There was some personal involvement in watching Antonucci’s fictional Cul-de-Sac as the Eds navigated life and attempted scams. For an episodic cartoon, there was an unusual attachment to the characters the more one watched- and certainly, most people had their favorites- Double D certainly stood out as the brains of the trio; there was the fear of the Kankers busting out of nowhere in any given episode, and quite a few people probably also wished Ed didn’t have the brattiest sister on Earth in Sarah. The show may have resonated strongly among the demographic precisely because it was an exaggerated version of many a peer group- and the creativity of childhood unbridled in a show with reckless abandon, and so it can be said Ed, Edd n Eddy beyond any other descriptor, is fun.

While the show primarily is set in summer, the 5th season took it in a different direction, bringing the Eds and their peers to school and into fall and winter- a fact sometimes lost in the classic episodes of the first four seasons. However, the best part was that Ed, Edd, n Eddy went out with a bang and at precisely the right moment to avoid seasonal rot in 2009’s Ed, Edd, n Eddy’s Big Picture Show– a movie that largely brought the Eds back to their roots while giving the series a fitting wrap-up. I wouldn’t quite call the series a classic, but it was very influential, and has quite a few individual episodes that are conceptually brilliant (and very funny). It’s a bit of a nostalgia trip to go back and watch the show now, but its trademark style still shines through.


Animation Quality: An old-school 2-D cel shading, which was uncommon at the point the show debuted and virtually unheard of in 2009. Danny Antonucci specifically wanted this style of animation in order to evoke a certain style and feel- and to that end, it successfully captures the old-time feeling of cartoons past, even if it isn’t perfect…but plenty good enough to bring the world of the Cul-de-Sac to life. 4/5 points.

 
Characterization: Episodic show, focused mainly on the three titular characters, all of whom fit a certain type of individual. Of the titular characters, Ed’s the nice, if not completely dumb, grunt; Edd, better known as “Double D” is the smart, nerdy one, and Eddy’s a straight con man.

Ed, while a simple and foolish kid mostly, is very kind, ridiculously strong and loves life. He’s got no sense of personal hygiene, loves monster movies, chickens and buttered toast, and most of all, hanging out with his best pals. Spouting usually nonsensical phrases and laughter, Ed every once in a while has a moment of enlightenment; it’s always entertaining when that happens.

Edd, better known as “Double D,” is the brains of the trio. Diametrically opposed to Ed in terms of cleanliness and knowledge, Edd’s a neat freak and the inventor behind the construction of the trio’s scams. He’s physically weak, but makes up for it in social adeptness, manners, and a kind disposition to please everyone…which comes back to bite him often in this show. He also wears a black sock cap; a running gag is no one has seen what’s under the cap save for the other Eds (and so it’s left to speculation.)

Eddy is the self-proclaimed leader of the Eds and the driver of the scams the trio perform through the show. He’s short in stature, but his greed for money and jawbreakers often dominate his personality. (SPOILERS: In reality, Eddy harbors an inferiority complex. He’s stuck in the shadow of his big brother and desperately wants to be liked by everyone…but is instead the object of derision from the other kids for much of the show.) Despite his flaws, Eddy is fond of his friends, and the Eds are an inseparable trio, despite their wildly different personalities and goals.

The rest of the cast of characters are entertaining enough, though as an episodic show  get varying amounts development for as long as the show aired. This consists of the other Cul-de-Sac kids that appear in every episode, and the Kankers, who are deliciously fun, if not ridiculously over the top, as the villains of the show.  3.5/5 points.

 
Story quality: Episodic, with some canon here and there, mainly pertaining to the Eds’ themselves, such as Double D’s hat and Eddy’s brother. Each episode is usually well paced and takes a page out of the slapstick book of humor, albeit more unsettling than the classics and not anywhere close to “adult fare.” Most episodes usually follow a formula, and so it’s good, not great. Entertaining is the best descriptor. 3.25/5 points.

 
Themes: This show is virtually void of most deeply engrossing themes…except it explores certain aspects of childhood and growing up quite well. There’s a shared brotherhood in the struggle for acceptance between the Eds, and perhaps a bit of a running meta-commentary on life. (Man, I’m not sure who’d want to live in that neighborhood.) There’s nothing super-objectionable though. 2.75/5 points.

 
Don’t insult the viewer: Ed, Edd, n Eddy is pretty funny, though it can be crude at points, and certain scenes can be unsettling…but that’s probably what Danny Antonucci was going for. The soundtrack also matches the fast-paced mayhem of the show well, and certain motifs are given to characters if you listen closely. 4.25/5 points.

 

 

Total Score: 17.75/25 (71%). Ed, Ed n Eddy was certainly an quantified success by ratings and seasons, but it is at its heart, an above-average cartoon with some notable flaws. Overrated slightly? Most definitely. Downright terrible? Not at all. “Above-average” seems to be a fair descriptor, and careful analysis seems to agree, as it does some things very well and preserves the sense of fun it always had some number of years later.


Like what you see? Was Ed, Edd n Eddy a favorite of yours? Leave a comment!