Show: Kill la Kill
Studio (NA distributor)/ years aired: Gainax (Adult Swim-Toonami), 2013-2014
AniB’s thoughts: I’ve been sitting on doing a review of Kill la Kill for a little while, partially because there’s been other priorities to attend to, but also because I wasn’t sure how to put this eloquently to the people that like the show, or those who haven’t seen it yet, or maybe were patiently waiting for me to get around to it: Kill la Kill is overrated.
Yes, the show features a terrific soundtrack and came from the same people who did Gurren Lagann and once upon a time, Evangelion, and yes, it has the same kind of frenetic action you’d expect from a mecha anime in one that actually isn’t, but for me at least, the dynamics of the show were just… off.
It starts with the premise. I’m perfectly willing to accept “over the top” in anime, but this show in particular makes it part of its very fabric. It’s a potpourri of “high school meets Michael Bay action sequences meets convoluted premise” and while many people have reveled in that regarding Kill la Kill, it just never meshed with me. It didn’t find the same emotional thrust mixed with satisfaction as Gurren Lagann did (and which actually occupied a far grander scope, all things considered)…and then, there was the fanservice.
Oh, the fanservice. I’ve yet to write a treatise on fanservice in animation, but the vast majority of the time (about 95-98% in my rough mental estimation), it’s pointless, adds nothing to the story, cheapens the characters, and gives me a vaguely uncomfortable feeling about what I’m actually viewing. Kill la Kill, for all intensive purposes, is an ecchi anime, of which I suspect precious few will pop up in my review choices, and with good reason- it’s teasing nudity the whole way. I’m not into that. And this is the fundamental difference between something like Kill la Kill and the aforementioned Gurren Lagann, in which there’s one cringy comedic bathhouse episode early in the series along with occasionally playful teasing in the latter, while this entire series makes a point to expose its characters…and the main conflict involves clothing…or a lack thereof.
So does this mean Kill la Kill is a “bad show?” I wouldn’t go so far as to say that, but it’s not the masterwork some play it up to be, and it certainly has found a legion of anime fans that sing its praises. It also features some pretty amazing fight sequences (especially if you can get past the fan-servicing bit); the characters receive some pretty great development through the show (the central character conflict is actually compelling), and Ryuko Matoi is a strong, solid protagonist. (Cool fact- the character’s English VA plays Gon Freecss in the dub of HxH 2011.) Overall, I’d say one’s reception of Kill la Kill is dependent on one’s tastes. To that end, I’ve attempted to evaluate the show with a balanced hand noting the show’s perceived weaknesses against its strengths.
Animation Quality: Traditional 2-D anime. Good looking anime that accentuated some things best left unseen, though the battles are spectacular. Character models are standard enough, tend to accentuate women’s breasts a bit though, and there are some truly spectacular settings illustrated as well. The use to make the obvious fan service look good however…not so much. 3.5/5 points.
Characterization: The series focuses on the story of Ryuko Matoi, a girl searching for the answers of her father’s murder who comes upon the main location of the show, Honnouji Academy.
Armed with a giant scissor blade, Ryuko’s a bit of a rough and tumble character, which come at odds when she discovers her sentient battle outfit, Senketsu (pronounced sen-ketz), transforms her into a very revealing outfit that also grants her great power. Because Senketsu is made 100% out of a special material called “life fiber,” it (rather he) has a life and personality of his own, although only Ryuko can hear him.
While at the academy, Ryuoko stays with and befriends Mako Mankanshoku (and her eccentric family). Bright and airheaded to a t, she often serves as the calming presence to Ryuko’s fierceness and determination, and has a good heart and a stubborn will…She’s also the main source of comic relief through the show, a role she excels at.
Opposing Ryuoko through most of the show is Honnouji’s fierce student body president, the formidable Satsuki Kiryuin. Armed with a will stronger than steel and a blade to match, she rules Honnouji in a way that it is much more a military base than really a school… She is flanked by her “Elite 4” (no, not Pokemon)- Ira Gamagoori, a massive man with a personality to match who serves as head of discipline; Uzu Sanageyama, a one-time street boss turned loyal swordsman; Nonon Jakuzure, the only girl and a friend of Satsuma since they were children, and also a music nut; and Houka Inumuta, her information specialists and tech systems guy.
Also to be noted among an extensive supporting cast is Raygo Kiyuin, the mother of Satsuki and head of the REVOC Corporation, a clothing line that has almost monopolized the whole world… Overall, these are actually pretty good characters for the most part with some strange elements and stereotypical tropes; the supporting cast on the whole is okay. 4/5 points.
Story quality: Overarching story. While the tale moves at a great pace (and one particular episode deals with the dreaded recap episode in the best way possible), there are other flaws inherently present. Mostly, this is because the storyline of Kill la Kill might be the most convoluted albeit complicated arc out there… (spoilers:)
Life fibers, the threads that form Senketsu, and give clothes known as Goku Uniforms their power, are in fact apparently a sentient alien parasite that devours its victims and destroys planets. Seriously, I can’t make that up if I tried. Raygo Kiryuin, the big bad, tries to co-opt this scheme of destruction while the subtext of Ryuko vs Satsuki plays out, the two eventually coming to a head… the paramilitary organization is literally a group called Nudist Beach (they eschew clothes…) and most adults in this series seem fairly useless. There is some strong emotion built into the plot as well as some decent plot twists, but overall, the end product is both somewhat entertaining and cringeworthy at the same time. 2.75/5 points.
Themes: Family struggles, friends, and some other self-discovery stuff. For Ryuko, it’s about forging her path against the path of someone like Satsuski, and so ideologies clash, literally exposed with bare ambition. Honestly, this show isn’t the strongest on themes, but it’s passable considering everything. 3.25/5 points.
Don’t insult the viewer: Fanservice. This is the single biggest issue with Kill la Kill, and it’s obvious how intentional that decision was with characters even commenting on it in universe. One one hand, it sorta works because there’s an in-universe explanation, but… if you’re not into nudity (or very skimpy outfits), I’d stay far away (and frankly, i don’t condone it in the slightest). There’s also a fair bit of blood in some scenes, and to that end, you have been warned. 2.5/5 points.
Total Score: 16/25 (64%). A bizarre mix of different anime tropes with more than a little fanservice, Kill la Kill is unique…sometimes in the (very) cringeworthy sense, and other times in interesting, unique, and even very funny ways. I wouldn’t personally recommend this to anyone under 18, but depending on your tastes, it is potentially worth a watch.
Like what you see? Have something to say about Kill la Kill? Leave a comment!