“If it ain’t broke, don’t fix it”- a discussion about reboots done badly

They might look the same, but poke under the hood and you’ll find something rotten.

In some recent posts, I’ve touched on the idea of shows that haven’t aged well, but there’s also another type of show that needs to be put out to pasture, and that’s the badly done cash-grab type of reboot. In my breakdown of Disney X.D. for this decade so far,I talked about the upcoming DuckTales reboot that frankly, looks very promising. That’s one example of a re-imagining trying to do it right. Another is Hunter x Hunter, perhaps the best anime example around; it had a 1999 adaptation from Nippon Animation, which was very good, but the 2011 version is better in about every conceivable way and might just be the best anime of this decade, along with Steins;Gate. (Here’s the review.)

As you can see, I do have an admiration for well done shows that fall under the definition of “reboot,” but my ire was recently drawn towards not so illustrious examples, chiefly the Powerpuff Girls ’16, which despite recapturing much of the  original series’ visual style, lacks any of the humor, charm, originality…and to boot, has a very politically driven agenda which in my book, is a cardinal sin in animation unless your show is specifically designed for political commentary (and yes, I’m talking about South Park.) If it wasn’t any clearer about the shallow motivations for bringing back a beloved IP and shoving it into the ground, there was a conscious decision not to bring back the original voice acting cast, a decision that left VA talent giant Tara Strong rather sad, and despite reports, the original creator Craig McCracken never “gave his blessing” for Cartoon Network to go ahead with it, citing that he had “understood the business reality that I had no power to stop it from being made.” McCracken’s statement actually lends credence to the thought that except in certain circumstances, any rehashing of a story years later is usually best handled by the creator who had the vision to create the show, the characters, and the world as they saw fit….or letting them truly find someone who understands what they were trying to do. As another example, I personally would be very unhappy if I wind up writing for years about animation, and one day, maybe I can’t do it anymore and a potential successor doesn’t respect the vision and goals of what was laid out initially. That would be very sad. Reboots, like anything else are a re-interpretation of a story created by someone else most of the time, and while The Powerpuff Girls is an example that’s badly done, it’s evident that if a show gets a person or a team of people who fundamentally understand that specific universe inside and out, instead of creating a hollowed out version of a beloved flick, they can take a universe to a whole new level.

It’s not that I want to keep pointing the finger at Cartoon Network, but another example of a re-imagined show gone wrong is Teen Titans Go! The show is not meant to be the in depth effort that the original beloved Teen Titans was, but it fails miserably at its stated purpose with brain-dead humor, tasteless satires of the Titans themselves, making them shallow parody characters at best to their original inspirations, and not helping its cause is the network’s continued insistence to air the show at an alarmingly high rate despite most viewers unanimously loathing  it. The reason the show continues to air- and be renewed has nothing to do with the quality, which is a shame. It has everything to do with the merchandising and toy empire that exists- which makes loads of money.

I’ve always believed that networks could have quality shows and still make tons of cash, because people love investing themselves in gripping narratives, enthralling worlds, and compelling characters. It’s also my belief that just because a show has a specific target audience, it is a great thing if it find new niches and has an unexpected group of viewers. Bad reboots and re-imaginings, therefore really upset that beautiful idea. It emphasizes a sellout to the almighty dollar over the actual audience that gives the money and the views, forgetting to understand what made a show popular and beloved in the first place, and kills off the potential of new watchers because the shows in question have earned bad reputations, and rightfully so. This isn’t to say I think The Powerpuff Girls and Teen Titans IP’s are bad- they are still phenomenal properties, but their current incarnations are more disrespectful than anything else- to the fans, to the writers forced to go through with contrived plots, and to the universes and characters themselves- who imagined offing Ms. Bellum as “offensive” in the PPG back in the day, or that the Titans would have an episode devoted to waffles of all things, complete with a hyper-annoying song? Animation is an absolutely wonderful medium to tell stories in, but I’m sad when cringe-worthy pieces exist solely for turning a profit, which is entirely different from bad shows that were greenlit and simply flopped.

I’ll end by saying that I do like reboots or different takes on a franchise when they are done well. As I mentioned already, DuckTales 2017 looks amazing, and Hunter x Hunter is perhaps the best example anywhere of a marked improvement, further preserving the vision of the creator. It’s also my belief that there is no need for a retelling of a tale if the original product was already a memorable, well loved piece on its own, but it’s also true from movies to shows, people in entertainment can’t resist going back to the well, so to speak, in order to revisit successful ideas. If they really feel the need to do so, I’m always hopefully that the retelling brings a new dimension and exciting aspects to a franchise. Animation is no different in this regard. As a note to studios… please stop expecting to cash in on old classics without any effort, and understand that if you make a great product instead, the people will come.


Like what you see? Have any reboots in animation or movies you like or dislike? Leave a comment!

Review: Ben 10

It started when an alien device did what it did…(and spawned a franchise!)

EDITOR’S NOTE: This review encapsulates the original series that aired from 2005-2008. This is NOT about any of the successor shows spawned in the franchise, or the reboot of the same name that started in 2016. We’re going old school!…if you can call a show that’s the same age as Avatar: The Last Airbender that.

The Lowdown:

Show: Ben 10

Network/years aired: Cartoon Network/ 2005-2008

AniB’s thoughts: Long before Ben 10 became a ubiquitous household name type of franchise, this was the show spawned by Cartoon Network and Man of Action (the same people behind Teen Titans) that started it all. Yet another take on the classic “summer vacation” trope, the show follow the titular Ben Tennyson, his cousin Gwen and their grandpa Max on an RV road trip that ultimately delves straight into the realm of science fiction. I’ll be the first to admit that this show captured my imagination as a kid, between the alien transformations of Ben, the increasingly strange locales the show featured…and this super catchy theme song:

(It goes to about 1:05; this video also has slight variants.)

What’s notable is that the show almost beyond a doubt has the highest animation production values of any of the Ben 10 iterations. The Teen Titans inspiration is clearly there in terms of style, and while it’s clearly a Western show not veering into the realm of Japanese anime, the detail as well as the story arc progression certainly resemble it. The show came in the later years of “classic Cartoon Network,” a golden period that in these years had the really amazing “CN City” bumper campaign (seriously, check them out if you’ve never seen them) and was able to stand out thanks to a fairly unique premise, the quality of the animation, and the fact that it carved its own unique niche at a moment in time when Cartoon Network was loaded with good to great shows (and obviously some bad ones, but that’s true of any network over the years.)

Another distinct factor about Ben 10 was that Ben in fact, had access to only 10 aliens for much of the show. Whether it was the design team, the marketing team, or the writers, the franchise became known for pumping out a new set of transformations for Ben to take in each iteration of the universe, but as our lovely intro above makes clear, those original 10 were the stars and remained fairly static save one major change until later in the show’s run. What was established here however (and was smart, as well as logical from a writer’s point of view), was that each alien had a distinct personality and different strengths, which mixed with Ben’s own 10-year old attitudes and ways of doing things, and due to his inexperience, the Omnitrix (the watch-like device that allowed him to transform) sometimes would lock him into a different transformation that he did not want to use…and all his changes had a time limit, with a subsequent cool-down time. The last part was more a narrative failsafe to make certain problems have a more compelling way to be solved, and one episode actually teases this when Ben find a master code to get rid of the time limit, only to have to reset the watch by the end.

At its heart, Ben 10 is a unique show that does some unexpectedly original twists on ideas normally seen in comics. There’s a secret organization (and secrets in general), otherworldly villains, unexpected twists, and of course, the hero origin story. To a 10 year old boy watching, it really did excite me…and it’s still a solid show today, if drowned out by the successful spinoffs that succeeded it. You might just want to find out “what an alien device did what it did” and go on a summer vacation that once again, breaks the trope into new territory.


Animation Quality: Traditional 2-D animation, with computer shading, some rich detail and colors and some really creative design work. Ben 10 looked fantastic in the various locales and places it spanned; the characters themselves are aesthetically pleasing and it leads to a fine effect overall. 4.5/5 points.

 

 

Characterization: Being the original series, Ben is a bit of a jokester, looking for adventure (and occasionally trouble) and is in all respects, a fairly typical 10 year old personality wise. He’s got a good heart though, and a strong sense of justice. While he loves his newfound alien powers, he’s rather impulsive and can become arrogant from time to time, a trait that often gets him in trouble.

Gwen, Ben’s cousin, has a love-hate relationship with him, but it is developed through the series to show despite acrimonious appearances, they do really care for each other. Unbeknownst to her for most of the series, Gwen also possess certain “special abilities…” though I won’t say what they are!

Grandpa Max is an amicable old man with a deep, mysterious past that compromises quite a bit of the story. Highly fond of his niece and nephew, he’s determined to have a great summer with them in his beat-up old RV, but what that entails exactly is even more than he bargained for… (Fun fact: His voice actor, Paul Eiding, is also the Colonel in the Metal Gear Solid series of video games!)

Finally, Ben’s rogue gallery is pretty good, especially his archenemy from season 1, Vilgax, and Kevin Levin (who in the franchise, actually has a much bigger role, but serves as an enemy in this series.) 3.75/5 points.

Story quality: There’s a clear story and canon, but the episodes can stand alone as well as episodic events. To that end, they usually are quite humorous, action packed affairs. The backstory is decently solid, if not convoluted, but it’s all very pleasing when it comes together. 4/5 points.

 

 

Themes: There’s notions of family, sticking together and the like, plus heroic ideas of justice, but there’s also a fairly dark sci-fi element to the whole show. It’s gripping enough, but perhaps not next level compelling in terms of themes. 3.5/5 points.

 

 

Don’t insult the viewer: Ben 10 isn’t always the easiest thing to digest from time to time due to the sometime jarring shifts in location and objectives, but stays fairly clean and inoffensive. The theme song is addictively catchy as can be, and the overall product avoids talking down to its audience.  4.5/5 points.

 

 

Total Score: 20.25/25 (81%). Ben 10 was, and still is a highly successful endeavor that spawned an entire franchise with this extremely solid first entry. Packed with action, written with some memorable characters, and featuring a diverse cast of alien creatures, this sci-fi ‘toon stayed strong.


Like what you see? Are you a fan of the Ben 10 franchise? Leave a comment!

The Return of Samurai Jack

After 13 years, the samurai wielding a magical sword is back.

He’s backSamurai Jack. Wa-cha!

13 years since Cartoon Network aired what everyone believed was the end of Samurai Jack, a 5th and final season of the beloved series will finally start airing on Saturday night (3/9/17, for posterity’s sake.) Much has been made of this triumphant return by plenty of people across the internet, and the trailers and teasers dropped by Adult Swim (where the series has shifted to for this relaunch) suggest not only the potential for a very fulfilling conclusion, but a far gritter, darker Jack than we’re used to. For once, darker might actually be better. Let me explain…

The original seasons of Samurai Jack were lauded for a variety of reasons, including its unique animation style, narrative and pacing, and that by Cartoon Network standards (even now), it was a rather dark show. However, the network still had certain restraints that handcuffed the show in certain ways: blood could not be visibly shed, language was toned down a bit, and so on. With the new season comes new ideas, and with the shift to Adult Swim, there’s new rules. Chiefly, a 50 year time skip has happened, and narratively speaking, I’d be miffed if this wasn’t the case. Considering the real-world wait for this final season was in fact over a decade, it seems like a nod to the fans of the original production that Jack has grown with us in age- but what exactly went down in the dystopia that is Aku’s world creates a whole new set of questions and intriguing possibilities. As a result, the conscious shift to an older audience really has the potential to unleash the old samurai in ways we’ve never seen before.

For the record, this isn’t just speculation. The sneak peak already showed off some of what we can expect, including the return of the beetle drones as a callback to Jack’s first major battle in the future all those years ago:

While the video alone draws most of the conclusions you’ll need to see, it’s evident that the traditional samurai, immaculately robed in white, has embraced a fusion of his past and present realities. (How he arrived there will probably be far more telling.) It’s nearly unfathomable to imagine Jack on a motorcycle back in the day, when he traveled everywhere on foot, or using modern high-tech weaponry. I suspect he took a page from his old pal the Scotsman on fusion of old and new combat styles…and who coincidentally will be showing up at some point.

There’s plenty more that can be said about Samurai Jack coming back into the lives of many with its first new episode in such a long time, but it also could serve to introduce Jack to a whole new generation that never really knew the original series. Such an idea is very exciting as a way of extolling the potential and unique medium animation offers to tell a story. As for me, I anxiously I await Greg Baldwin’s voice work as Aku, “the shapeshifting master of darkness,” as Mako’s work was iconic. Inevitably he and “the foolish samurai” will have their fated final showdown. Whether that is in the past where Jack is from, or the future where he has had most of his shared history with Aku, remains to be seen…

No matter what you think, the return of Samurai Jack is one of the decade’s more surprising stories in animation; an unexpected twist to a series long thought to be finished, and an ode to quality shows that attracted solid fanbases of many different kinds of people. It’s a ride I’m ready to take…gotta get back, back to the past, Samurai Jack! Wa-cha!


Like what you see? Eager to see Samurai Jack in action once more? Leave a comment!